Tuesday, March 4, 2014
Sunday, March 2, 2014
THE WRITE WAY.
As a reader, I always wondered how an author penned a book. How
did Jane Austen plot Pride and Prejudice. Did she imagine the story first and
drew the characters second? Did she imagine Elizabeth first or Darcy? Was Wickham her inspiration? Did she draw on
real people, real experiences? And if all characters are nothing but their
author’s alter ego, then how could Lizzie and Emma and Catherine and Fanny and
Anne all be different?
The truth is it’s both internal and external for an author. It’s
observation and experience, research and imagination, plotting and deviating
from the plot. Ask a hundred authors what inspires them or about their method of writing and you will
get a hundred (times 10) different answers.
Some write in bursts, others every day. Some write while sober, others
while intoxicated. There are depressed writers, happy authors, night writers
and day writers. Some write epics in coffee shops and make the franchise
famous, others from the comfort of their beds. Some write when inspiration hits
while some just sit down and write. Some outline while others write by the seat
of their pants. For some creativity is hard work and for others it’s second
nature. A book whose author never went to school can do as sensationally as one
whose author had a double PhD. I believe that a writer will write his story and
that story will find a reader.
What I’m getting at is that there is no Write Way. There is only write and write and write every day.
For me personally, I tend to imagine my characters first. Who
are they? What makes them tick? How do they look? What baggage do they carry?
What do they want out of life? What might life teach them? I imagine the
characters until they become my best friends and then I give them their story.
(pics and gifs: random search online)
Wednesday, February 19, 2014
2 PLOTS and 1 CONFLICT.
I have been pacing the house this morning. It happens sometimes...alright, it happens only when I haven't written anything worthwhile in a while. I was on vacation and was editing/proofreading Bootie and the Beast, getting it ready for release and stuff. Those are legit excuses for NOT WRITING. And I was catching up on my reading. Sadly, that has only inflamed my desire to write a bloody good book that I would love to read. I'm not going to mention the books that have irked me so...this post isn't about dissing. It's about conflict.
Ha! The axis of a/any story. Conflict with a capital C. Conflict is what spices up a plot. What drives the characters forward, backward or sideways. What makes the story spin until it dazzles you...the reader...and you feel as if you're watching The Christmas Spectacular from Row A of Radio City Music Hall.
My personal conflict today is that I have 2 plots bursting like firecrackers in my head. 2 very different plots for 2 very different stories.
Plot 1 will have me continue my work-in-progress about a trio of soul mates and some self-denial.
Plot 2 is a brand new idea of a soul seeking redemption, finding it and then rejecting it.
My conflict? Which one do I work on first. And whichever one I do pick, will the other suffer from my neglect. Argh. This is why multiple personalities should be the norm and not the exception.
Any and all advice appreciated, Peeps.
(gif source: random search on internet)
Friday, February 14, 2014
HAPPY VALENTINES.
Dear Reader, in lieu of chocolates, here's an excerpt from my much-awaited Bootie and the Beast. Expected release date, sometime in April 2014.
“Want to unpack first or eat or shower?” Krish
asked, poking a hole in her fantasy dialogue.
Diya
shook her head, as much to clear it as to say no. She was so tired and functioning
on sheer force of will, hence the spontaneous daydreaming. It had been a crazy,
busy few months and the last two days had sort of bled her energy levels dry.
If she was indeed the vampire the tabloid twerp had painted her as, she’d
be snoring inside her coffin after having gorged on a blood-filled vein.
“I’ll
get to it tomorrow—the unpacking and showering. I’m hungry. I’m sleepy. And I’m
sure you need to get back to your office and resume snarling at figures of the
numerical and human variety.” Diya strolled into the bedroom alongside Krish.
“Not
really.” He slanted an undecipherable look her way. “I’ve taken the day off.”
“Oh!
Don’t be silly. You don’t have to baby-sit me.” She flapped a hand at him. “Go
to your office, play with your spreadsheets. Punch some numbers. Whatever. I’ll
be fine.”
Krish
was a Menon to the hilt—the hardest of taskmaster’s. He hated losing work-hours
and became an intolerable grouch when he did. It was a testament to his regard
for her father that he’d taken the afternoon off to fetch her from the airport
in person and not sent a cab. To be fair, he’d sent a cab only the once to pick
up his family during a visit a few years ago, due to some emergency at the
office. Lee-sha and Savitri Aunty hadn’t made a big deal about that kind of
deficient host behavior. Diya wasn’t so forgiving. Family should always come
first. But, she was fair as well. He’d settled her in, now he could go.
“I’m
not working today, Diya,” he said, in near exasperation.
Oh-kay.
She’d heard what she’d heard, not once but twice. Diya checked Krish’s
forehead, cheek and throat with the back of her hand. “Nope, no fever. You
could be delirious. Low sugar, possibly. Or,” she paused for dramatic effect.
“You were kidnapped by a UFO and are now an alien in Krish form.”
He
chucked her under her chin. “Smart-ass. Come along, Elf, let me introduce you
to your domain—the kitchen.” With a sly smile, he strode away.
She
stuck her tongue out at his chauvinist backside but didn’t take umbrage, not
when he clearly teased and when it was patently true. It was no secret she
loved to cook. Besides, his previous statement trumped all other concerns for
her.
She
rushed behind him, heels clattering smartly on the wooden floor of the hallway.
“I’m confused. Since when do you take days off?”
The
Krish Menon she knew did not take days off. He worked twelve to fourteen hour
days on most days, sometimes even on Sunday. Work was his religion, numbers
were his mantras and profits, projections and spreadsheets were his portals to nirvana.
He thrived as a beast of burden.
And
as if that confession of sloth wasn’t shocking enough what he said next made
Diya trip on the steps leading down to the kitchen and crash into his back.
“What?”
she gasped, clutching his arms for support when he spun around to steady her.
Nary
a smile or sneer darkened the alien in Krish form. “I have a date. It’s
Valentine’s Day, after all.”
Thursday, February 13, 2014
FOUR SEASONS and some SHAKESPEARE.
THE FOUR SEASONS:
To me, fair friend, you never can be old, For as you were when first your eye I eyed,Such seems your beauty still. Three winters cold Have from the forests shook three summers' pride,Three beauteous springs to yellow autumn turn'd In process of the seasons have I seen, Three April perfumes in three hot Junes burn'd,Since first I saw you fresh, which yet are green.(Sonnet 104)
It was a lover and his lass, With a hey, and a ho, and a hey nonino,That o’er the green corn-field did pass,In the spring time, the only pretty ring time,When birds do sing, hey ding a ding, ding;Sweet lovers love the spring.(As You Like It, 5.3.15-20)

SUMMER
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.

AUTUMN
The childing autumn, angry winter, changeTheir wonted liveries, and the mazed world,By their increase, now knows not which is which.(A Midsummer Night's Dream, 2.1.116-118)
The teeming autumn, big with rich increase,
Bearing the wanton burden of the prime,Like widow'd wombs after their lords' decease.(Sonnet 97, 6-8)
WINTER
Thou knowest, winter tames man, woman, and beast.

When icicles hang by the wallAnd Dick the shepherd blows his nail
And Tom bears logs into the hall
And milk comes frozen home in pail,
When blood is nipp'd and ways be foul,
Then nightly sings the staring owl,
Tu-whit;
Tu-who, a merry note,
While greasy Joan doth keel the pot.
When all aloud the wind doth blow
And coughing drowns the parson's saw
And birds sit brooding in the snow
And Marian's nose looks red and raw,
When roasted crabs hiss in the bowl,
Then nightly sings the staring owl,
Tu-whit;
Tu-who, a merry note,
While greasy Joan doth keel the pot.
(Love's Labour's Lost, 5.2.916-31)
Wednesday, February 5, 2014
WHAT AN AWFUL BOOK!
I love reading. I always have, I always will. I've read my share (and possibly shares of eighty seven other individuals) of books in my life. Not all the books I read make me weep with joy at having read them. I understand and have experienced (far too often) that not all books will speak to my soul. But the last two that I read, that I'm reading, have left me completely gobsmacked...in their awfulness. To the extent that I spent two days wondering what the hell was the matter with the writers of said books, the publishers and editors of said books and finally the readers of said books...myself excluded.
I picked the novels up in India. Both are adaptations of the Mahabharata, an epic close to my heart, and the only reason I bought the books in the first place. The authors had nothing more to do than rework an old legend on a new-ish premise with a fresh spin. Sadly, both books failed miserably to do any kind of reworking, remolding or spinning...in my eyes. And I was outraged by their utterly cavalier disregard for good writing.
Notice I said WAS. I am over my outrage. And here's why.
I've realized in my forty-eight hour pout which began with the almost desperate need to grab a pointy, sharp blade from the knife block in the kitchen, flying non-stop to India, hunting down the publishers, editors and authors of said books and hacking them to pieces for destroying this beautiful legend that is the Mahabharata with their rubbish. The murderous urge ended in an anticlimactic, self-induced opening-of-the-eye.
I have realized since that a successful book need not be good. More astonishingly, a "good" book need not be well-written. And even more astonishingly, my parameters for a successful book, good book and well-written book could be the exact opposite of yours. What I consider good or well-written or successful is but my own opinion of it. Of course, best-seller lists and awards do validate certain books. But here's the thing. Some of those great books on those best-seller lists have not appealed to me in the least! And we all know of a certain atrociously penned trilogy that broke best-selling records not two years past.
So, there goes the theory that a good book should have universal appeal.
That being said, isn't it the duty of the author, the publishing house and the editor to provide its reader with the best possible product?
I am so confused. What do you think? To each book his own worm?
(Source of gifs: random search on Internet)
Monday, January 27, 2014
MEHENDI: color and scent
Henna: हेन्ना
![]() |
| Freshly applied henna paste |
![]() |
| Drying henna paste. Once it dries, it starts flaking off. |
the herb - Lawsonia inermis - that brings color and perfume to life, is a symbol of joy and celebration in many cultures around the world. The flowering plant grows best in hot climates and dry soil and has a cooling effect when its leaves are crushed into a paste and applied on the skin. Cooling effect aside, it emits a lovely and I think intoxicating scent of well-being. The reddish-brown stain henna paste leaves on organic surfaces is due to the lawsone (reddish-brown dye) present in the plant, which reacts and bonds with the protein on skin or hair it's applied on.
![]() |
| The color beneath the paste. |
Henna, also called Mehndi मेहंदी in Hindi and Urdu, has been in recorded use for the past 9000 years. It's reason of usage varying per age, culture and region of the world.
Because of its natural medicinal properties, past and present desert cultures use/d it as a topical salve for burns, stomach ulcers, headaches, as a fever-reducer, sunblock, for skin diseases and as an hair dye. Because of the lovely-scented temporary tattoo it left on skin, Henna started being used as a decorative medium too. Elaborate and repetitive motifs of flora and fauna or geometrical designs are usually applied for a number of occasions from engagements and weddings to happy religious occasions, or simply for luck and cheer.
![]() |
| Darkening color. |
I, for one, love to apply henna on my hands and feet and even sitting around for hours on end to that effect doesn't irritate me. Once the paste has dried and scraped off, an orangish stain is left behind which slowly darkens into reddish-brown (black in some cases) over three days as it oxidizes. OMG! Have I mentioned how divine it smells? It's a strong herbal scent with just a hint of metal, a teensy hint. I find it incredibly soothing.
It takes about one to three weeks for the stain to fade completely. "They" say the darker a bride's mehndi color, the greater her husband will love her. Or, the longer a bride's mehndi takes to fade, the better she will get along with her mother-in-law.
![]() |
| Mehndi can get much darker than this, but I like it so. |
Subscribe to:
Comments (Atom)

























