Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Saturday, November 4, 2017

The Highwayman by Alfred Noyes

The Highwayman

PART ONE

The wind was a torrent of darkness among the gusty trees.   
The moon was a ghostly galleon tossed upon cloudy seas.   
The road was a ribbon of moonlight over the purple moor,   
And the highwayman came riding—
         Riding—riding—
The highwayman came riding, up to the old inn-door.

He’d a French cocked-hat on his forehead, a bunch of lace at his chin,   
A coat of the claret velvet, and breeches of brown doe-skin.
They fitted with never a wrinkle. His boots were up to the thigh.   
And he rode with a jewelled twinkle,
         His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark inn-yard.
He tapped with his whip on the shutters, but all was locked and barred.   
He whistled a tune to the window, and who should be waiting there   
But the landlord’s black-eyed daughter,
         Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened. His face was white and peaked.   
His eyes were hollows of madness, his hair like mouldy hay,   
But he loved the landlord’s daughter,
         The landlord’s red-lipped daughter.
Dumb as a dog he listened, and he heard the robber say—

“One kiss, my bonny sweetheart, I’m after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,   
Then look for me by moonlight,
         Watch for me by moonlight,
I’ll come to thee by moonlight, though hell should bar the way.”

He rose upright in the stirrups. He scarce could reach her hand,
But she loosened her hair in the casement. His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;   
And he kissed its waves in the moonlight,
         (O, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.

PART TWO

He did not come in the dawning. He did not come at noon;   
And out of the tawny sunset, before the rise of the moon,   
When the road was a gypsy’s ribbon, looping the purple moor,   
A red-coat troop came marching—
         Marching—marching—
King George’s men came marching, up to the old inn-door.

They said no word to the landlord. They drank his ale instead.   
But they gagged his daughter, and bound her, to the foot of her narrow bed.
Two of them knelt at her casement, with muskets at their side!   
There was death at every window;
         And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest.
They had bound a musket beside her, with the muzzle beneath her breast!
“Now, keep good watch!” and they kissed her. She heard the doomed man say—
Look for me by moonlight;
         Watch for me by moonlight;
I’ll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!   
They stretched and strained in the darkness, and the hours crawled by like years
Till, now, on the stroke of midnight,
         Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it. She strove no more for the rest.   
Up, she stood up to attention, with the muzzle beneath her breast.   
She would not risk their hearing; she would not strive again;   
For the road lay bare in the moonlight;
         Blank and bare in the moonlight;
And the blood of her veins, in the moonlight, throbbed to her love’s refrain.

Tlot-tlot; tlot-tlot! Had they heard it? The horsehoofs ringing clear;   
Tlot-tlot; tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding—
         Riding—riding—
The red coats looked to their priming! She stood up, straight and still.

Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!   
Nearer he came and nearer. Her face was like a light.
Her eyes grew wide for a moment; she drew one last deep breath,   
Then her finger moved in the moonlight,
         Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him—with her death.

He turned. He spurred to the west; he did not know who stood   
Bowed, with her head o’er the musket, drenched with her own blood!   
Not till the dawn he heard it, and his face grew grey to hear   
How Bess, the landlord’s daughter,
         The landlord’s black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high.
Blood red were his spurs in the golden noon; wine-red was his velvet coat;
When they shot him down on the highway,
         Down like a dog on the highway,
And he lay in his blood on the highway, with a bunch of lace at his throat.

.       .       .

And still of a winter’s night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,   
When the road is a ribbon of moonlight over the purple moor,   
A highwayman comes riding—
         Riding—riding—
A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard.
He taps with his whip on the shutters, but all is locked and barred.   
He whistles a tune to the window, and who should be waiting there   
But the landlord’s black-eyed daughter,
         Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

Thursday, February 13, 2014

FOUR SEASONS and some SHAKESPEARE.

THE FOUR SEASONS:

To me, fair friend, you never can be old, For as you were when first your eye I eyed,Such seems your beauty still. Three winters cold Have from the forests shook three summers' pride,Three beauteous springs to yellow autumn turn'd In process of the seasons have I seen, Three April perfumes in three hot Junes burn'd,Since first I saw you fresh, which yet are green.(Sonnet 104) 





It was a lover and his lass, With a hey, and a ho, and a hey nonino,That o’er the green corn-field did pass,In the spring time, the only pretty ring time,When birds do sing, hey ding a ding, ding;Sweet lovers love the spring.(As You Like It, 5.3.15-20)



SUMMER
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines, 
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade 
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest: 
So long as men can breathe or eyes can see, 
So long lives this and this gives life to thee.






AUTUMN

The childing autumn, angry winter, changeTheir wonted liveries, and the mazed world,By their increase, now knows not which is which.(A Midsummer Night's Dream, 2.1.116-118) 



The teeming autumn, big with rich increase,

Bearing the wanton burden of the prime,Like widow'd wombs after their lords' decease.(Sonnet 97, 6-8) 







WINTER
Thou knowest, winter tames man, woman, and beast.




When icicles hang by the wall
And Dick the shepherd blows his nail
And Tom bears logs into the hall 
And milk comes frozen home in pail, 
When blood is nipp'd and ways be foul,
Then nightly sings the staring owl, 
Tu-whit; 
Tu-who, a merry note, 
While greasy Joan doth keel the pot.
When all aloud the wind doth blow 
And coughing drowns the parson's saw 
And birds sit brooding in the snow 
And Marian's nose looks red and raw, 
When roasted crabs hiss in the bowl, 
Then nightly sings the staring owl, 
Tu-whit; 
Tu-who, a merry note, 
While greasy Joan doth keel the pot.
(Love's Labour's Lost, 5.2.916-31)